Terri Lyne Carrington
Terri Lyne Carrington Celebrating 40 years in music, three-time GRAMMY® Awardwinning drummer, producer and educator, Terri Lyne Carrington started her professional career at ten years old, being the youngest person to receive a union card in Boston, MA. She was featured as a “kid wonder” in many publications such as People, EBONY, and Modern Drummer magazines, among others. After studying under a full scholarship at Berklee College of Music, Carrington worked as an in-demand musician in New York City, and later moved to Los Angeles, where she was a late night TV drummer for the Arsenio Hall Show and Quincy Jones’ VIBE TV show.
Throughout her extensive touring and recording career, she has worked with luminary artists such as Herbie Hancock, Wayne Shorter, Al Jarreau, Stan Getz, David Sanborn, Woody Shaw, Cassandra Wilson, Dianne Reeves, John Scofield, Esperanza Spalding, Yellowjackets, and countless others. Carrington is also the first female artist to win a Grammy for Best Jazz Instrumental Album. In 2005, Carrington returned to her hometown where she was appointed professor at her alma mater, Berklee College of Music. Currently, she holds the position of Zildjian Chair in Performance, Berklee Global Jazz Institute. She is also the Artistic Director for both the Beantown Jazz Festival and Berklee Summer Jazz Workshop, and Co-Artistic Director of The Carr Center, Detroit, MI.
To date, Carrington has released eight albums, most recently The Mosaic Project: LOVE and SOUL, which features a leading cast of superb female instrumentalists and vocalists including Natalie Cole, Chaka Khan, Nancy Wilson, Ledisi, Lalah Hathaway, Lizz Wright, Ingrid Jensen, Meshell Ndegoecello, Linda Oh, Patrice Rushen, Regina Carter and others. In addition to The Mosaic Project, Carrington recently combined forces with David Murray and Geri Allen to form the MAC Power Trio. Their current release is a tribute to Ornette Coleman, entitled Perfection. She is also currently touring with her latest band Social Science, featuring Aaron Parks and Matt Stevens.
RECEITA DE SAMBA FEAT. ANNA BORGES & BILL WARD
Receitas De Samba means in Portuguese "recipe for samba", an apt name for a group who's focus is to showcase the many flavors of Brazilian music in their simplest form with no artificial additives like drum machines or electronic sampling. Featured artists and husband and wife duo Anna Borges and Bill Ward lead this group who draw from Boston's vibrant Brazilian music scene to cook up only the finest Bossa Nova and Samba
The Toth Bros.
Bassist and Drummer, Alexander and Anthony Tóth hail from the vibrant city of Toronto, Canada, where the seed of their musical journey was planted in a modest one bedroom apartment. The brothers grew up in a household full of vast amounts of music including Classic R&B, Motown, and Jazz. They became an official Drum and Bass duo after displaying natural talent and a drive to learn. It was the start of something very special, and they hadn't even realized it yet.
The brothers currently reside Boston, MA, where together, they co-lead “The TóthBros”. Both Alexander and Anthony have proven to be exceptional artists in their own right, but the true magic lies within their on and off stage brotherhood. The brothers' nearly telepathic connection has been the key element in their incredibly unique and engaging approach to music, which is also influenced by their Hungarian and Trinidadian heritage. The Tóth brothers have often been compared to legendary brothers in music that have come before them, and hope to continue the legacy with a fresh, never-before-heard sound. The Tóth Brothers are internationally recognized touring/recording artists who have worked with some of the leading musicians in the industry today.
THE RON SAVAGE TRIO
Ron Savage, Drummer, is the Dean of the Professional Performance Division of Berklee College of Music, and is a Co-Founder of the Cambridge Jazz Festival.
Gabrielle Goodman is a professor of music at the Berklee College of Music in the Voice Department. She is well-versed in jazz, R&B, classical, as well as gospel and has performed with Chaka Khan, Al Jarreau, Nancy Wilson, and Roberta Flack, who calls Goodman "one of the finest singers around today." Her 1993 JMT/Polygram debut release Travelin' Light, featuring Kevin Eubanks on guitar, saxophonist Gary Thomas, and drummer Buddy Williams, brought Goodman international acclaim. She received standing ovations for her performances at the North Sea and Montreux jazz festivals. Her second release, Until We Love, features bassist Christian McBride, pianist Mulgrew Miller, drummer Terri Lyne Carrington, and saxophonist Gary Bartz. Goodman is also featured on recordings by Norman Connors and Lonnie Liston Smith. Goodman won an ASCAP Songwriting Award for "You Can Make the Story Right," which she wrote with Chaka Khan, and she also penned jazz compositions for her two CDs. Goodman has performed in both classical and jazz idioms with the Syracuse Symphony, the Baltimore Symphony, the Baltimore Opera, and the National Symphony. Her theatrical appearances include Maya Angelou's gospel/opera King and the Canadian production of Ain't Misbehavin' costarring Dee Dee Bridgewater. Goodman's television appearances include the David Letterman show, Arsenio Hall, A&E Channel, the BBC, and the German TV show Talk and Swing.
PIECES OF A DREAM
Once upon a time, a trio of teenage jazz prodigies began turning heads in Philadelphia. Hailing from the ‘City of Brotherly Love,’ the all-star unit Pieces Of A Dream stands alongside an impressive lineage of musical wonders who have made Philly proud including Gamble and Huff, Patti Labelle, Grover Washington Jr. Jill Scott and The Roots. Proclaimed a “tough act to follow” by the iconic Count Basie, Pieces Of A Dream was discovered while in High School and was mentored by Mr. Magic, pioneering saxophonist Grover Washington, Jr. 2016 marks a milestone for Pieces Of A Dream as they will celebrate their 40th Anniversary. The all-star band has built an impressive legacy of their own with their melting pot of influences that have catapulted them to the top of the charts more than a few times. The band’s newest release is their 21st recording, All In on Shanachie Entertainment, which beautifully illustrates why the band has stood the test of time. They made their label debut in 2013 with their CD In the Moment.
Founding members James Lloyd (keyboards) and Curtis Harmon (drums) both use words like “thankful,” “blessed” and “grateful” to describe how they feel about their career longevity and their fans, who have continued to make it all possible. Curtis confesses, “Not many groups get to reach 40 years and 21 albums! I feel very fortunate and blessed to be in the music industry this long and to have this kind of success.” James adds, “That’s crazy isn’t it?! Twenty-one albums and the first one came out in 1981 when I was a senior in high school, 16 years old. We were out on the road with Grover Washington, Jr. the following year and I basically grew up on the road with him. We would open for him as Pieces and then play as part of his rhythm section.”
And Grover Washington, Jr. was indeed their guiding light, a mentor who took Pieces of a Dream under his wing as the first group he signed with his brand new production company. James and Curtis were the nucleus of the band, having played together as members of the Ada Lewis Middle School jazz ensemble along with former member bassist Cedric Napoleon. Danny Harmon, Curtis’ father and a jazz musician himself, became their manager and had the guys listening to the Modern Jazz Quartet, Ahmad Jamal and Oscar Peterson as they developed their unique sound, blending their jazz roots with R&B, soul and funk. Pieces released three albums in quick succession, establishing its place in the world of smooth jazz with the CDs Pieces Of A Dream (1981), We Are One (1982) and Imagine This (1983). Those albums include some of their biggest early hits, including Warm Weather, “Mount Airy Groove” and Fo Fi Fo. In The Moment was Pieces of A Dream’s first new release for Pieces since the 2009 album Soul Intent and featured eleven tracks, ten originals and a cover of the 1942 Harry Warren/Mack Gordon jazz standard “There Will Never Be Another You.”
The new single on All In is the title track and a favorite of Harmon’s. "All In is one of those songs that was years in the making but that shows off our true funk ability.” Harmon also wrote album standouts. Caribbean Nights and UP Til Dawn Pianist James Lloyd states, “There is something for everyone on this album."
When Mack Avenue recording artist, Tia Fuller picks up her sax to play, something amazing happens as the reverberations of her musical elixir fill the room. Balancing both worlds of performance and education, it is understood why this touring artist and full-time professor (at the Berklee School of Music), has a Bachelor of Arts degree in Music from Spelman College in Atlanta, GA,
(Magna Cum Laude) and Master’s degree in Jazz Pedagogy and Performance from the University of Colorado at Boulder (Summa Cum Laude), was selected
to be a member of the all-female band touring with R&B star, Beyoncé. As part of the I AM.. Sasha Fierce and Beyoncé Experience World Tour, where Tia has played in various venues throughout the US, Europe, Africa, Asia and Australia. She is a featured soloist on the Beyoncé Experience DVD (Me, Myself and I), I AM Yours DVD (Wynn Theatre) and also appeared on a number of major television shows, such as The Oprah Winfrey Show, Today Show, Good Morning America, BET Awards, American Music Awards and Total Request Live, and the 2010 Grammy Awards, As well as having performed as the featured soloist with Beyoncé for President Obama at the White House. An accomplished performer in her own right, Tia has recorded three CDs with her quartet.
The first, Pillar of Strength (2005/Wambui), received praise as being “an exhilarating work that introduced her as a leader who strives for perfection” (Terrell Holmes, All About Jazz Magazine). Her sophomore release, Healing Space (2007/Mack Avenue), is an offering of “melodic medicine” and healing agent. Tia has released her third CD Decisive Steps, March 16, 2010, 2nd under the Mack Avenue label, which received the #1 Jazz Week rating for two weeks straight, #3 in JET magazines top jazz cd’s, and nominated for Best Jazz Album for JazzWeek. And in 2012, she released her fourth album, Angelic Warrior, which received praise from Wall Street Journal, New York Times and numerous jazz publications. Tia’s quartet has performed world-wide, including: Angola, Croatia, South Africa, North Sea, Umbria, Edinburgh jazz festivals, and NYC’s prestigious Lincoln Center’s: Drizzy’s Club Coca-Cola, just to name a few.
Tia can also be seen touring regularly with a number of bands including: Terri Lyne Carrington’s Grammy-winning “mosaic” Project and Money Jungle “Provocative in Blue”, the assistant musical director for Esperanza Spalding’s Radio Music Society tour, and Dianne Reeves’ Beautiful Life tour. She has also performed with luminaries such as Ralph Peterson Septet, Rufus Reid Quintet, Geri Allen, the Nancy Wison Jazz Orchestra, Wycliff Gordan Septet, Jon Faddis Jazz Orchestra, Chaka Kahn, Ledisi, Kelly Rowland, Jay-Z, Jill Scott, Pattie Labelle, None Hendryx, Sheila E, Valerie Simpson, Dionne Warwick, Janelle Monet, Patrice Rushen, Erica Badu and Aretha Franklin. The dynamic saxophonist has been featured on the cover of Saxophone Today (March 2014), Jazz Education Journal (2012), and JazzTimes Magazine (June 2010). In addition, she has received numerous awards and marks of distinction including, winning Downbeat Critic’s Poll “Rising Star” two years in a row for Soprano Sax (2014), Alto Sax and Flute (2013). Tia was honored to be the keynote speaker at the Jazz Institute of New Jersey’s 2003 graduation ceremony, where she presented her “Journey to Success” speech. She also was the featured soloist playing the National Anthem in Detroit’s Tiger Stadium on Sept. 2009, and interviewed on Fox 5 News and Fox 2 News in Detroit and Washington D.C.
RON SAVAGE TRIO Feat. EULA LAWRENCE
Originally from Ahoskie, NC, Mr. Savage is a 1984 Graduate of Berklee College of Music. Mr. Savage has an extensive performance background in recording, television, movie soundtracks and performance.
He has performed and conducted workshops at hundreds of jazz festivals and music venues worldwide over the past 25 years including: Umbria Jazz Festival; Berlin Jazz Festival; Newport Jazz Festival; Jacksonville Jazz Festival; Montreux Jazz Festival; Monterey Jazz Festival; Chicago Jazz Festival; Savannah Jazz Festival; the Blue Note Jazz Club NYC; Lincoln Center; the Kennedy Center; Blues Alley Washington, D.C.; the Free Jazz Festival, Sao Paulo, Brazil; Tri-C Festival; Atlanta Jazz Festival; Munich Jazz Festival; the Cape Verde Jazz Festival; and the Heineken Jazz Festival, San Juan, Puerto Rico.
He has performed with a wide array of performers including: James Moody, Clark Terry, Curtis Fuller, Joe Zawinul, Mulgrew Miller, Cyrus Chestnut, Lionel Hampton, Al Grey, Buddy Tate, Nnenna Freelon, Vanessa Rubin, tap dancers Jimmy Slyde, Diane Walker and Buster Brown, Cecil Bridgewater, Sam Rivers, bluesman Albert King, Gary Bartz, James Williams, Marian McPartland, Cecilia Smith, Michel Camilio, Johnny Griffin, Julius Hemphill, Christopher Hollyday, Steve Nelson, John Medeski, Mark Whitfield, Christian McBride, Bill Pierce, Bobby McFerrin, Gary Burton, Phil Woods and many others.
Mr. Savage currently leads his own group, Modern Impression, and is a co-founder of the annual Cambridge Jazz Festival. Mr. Savage currently serves as the Dean of the Professional Performance Division at Berklee College of Music, and along with his wife-Lois Savage- directs the Ron Savage Music Academy in Cambridge, MA. The Ron Savage Music Academy is a nonprofit Saturday music school dedicated to providing inner city youth with affordable music lessons and instruments.
RECEITA de SAMBA feat. Anna Borges & Bill Ward
Receita de Samba, taken from Jacob do Bandolim's choro of the same name, means in Portuguese "recipe for samba", an apt name for a group who's focus is to showcase the many flavors of Brazilian music in their simplest from with no artificial additives like drum machines or electronic sampling. The chefs de cuisine are husband and wife duo Anna Borges and Bill Ward, who draw from Boston's vibrant Brazilian music scene to cook up only the finest Bossa Nova and samba, and well as regional specialties such as Forró, Ijexá, and Coco. Collaborations have included: Alfredo Cardim, Amir Milstein, David Rumpler, Fernando Brandão, Fernando Huergo, Fernando Michelin, Fernando Saci, Fabio Saffi, Gabriel Meireles, José Pienasola, Mark Walker, Mike Turk, Rebecca Cline, and Vinícius Pienasola.
Anna, originally from Recife, Pernambuco, began her career in Brasilia singing in bars, clubs, and theaters, accompanied by some of Brasilia’s finest musicians, many of whom she met during her studies at the Escola de Musica de Brasilia. In 2004 when her father was assigned to a post as vice-consul at the Brazilian consulate in Boston, she saw an opportunity to pursue a musical career in the US, following in the footsteps of many other Brazilian musicians who have left Brazil in order to further their musical development. Soon after her arrival in Boston, through mutual friends she met singer/multi-instrumentalist Bill Ward, with whom she discovered a great deal of musical and personal affinity (the two would be married a couple years later).
Bill had recently left Oberlin Conservatory, where he had been studying jazz piano. During his time there, he became increasingly focused on Brazilian music, ultimately making the decision to explore the language and music of Brazil to the exclusion of all other pursuits. He soon found himself in Boston where he was surprised to discover a thriving community of Brazilian musicians, with many of whom he and Anna would later collaborate. His most notable collaboration at the time was with pianist Alfredo Cardim and harmonica player Mike Turk, with whom he performed on WGBH’s “Eric In The Evening.” It was around this time that Anna and Bill met and began to embark on a project that would have traditional brazilian music as its focus.
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Over the past three decades, saxophonist, Walter Beasley, has artfully and dynamically redefined the phrase “musical Renaissance Man” for the modern generation. Considered by fans and critics alike as the “heir to Grover Washington, Jr.’s Throne,” Beasley is the acclaimed saxophonist, vocalist, educator, and entrepreneur of the decade. As the highest selling full-time Professor / Recording Artist in history, the Boston-based musician has long mastered an exhilarating high wire act of balancing a successful career as a contemporary jazz recording artist and performer with an equally thriving presence in the field of music education.
A leading alto and soprano saxophonist and prominent vocalist all the same, Beasley is hailed by fans for his thrilling performances along the East Coast and throughout the U.S. and Caribbean. Notable performances include the all-star tour To Grover, With Love, performing alongside Chuck Loeb, Buddy Williams and Andy Snitzer and performing as the headlining act for the 2011 Playboy Jazz Festival.
An adept jazz guitarist with a clean attack and fluid, lyrical style, Russell Malone often plays in a swinging, straight-ahead style weaving in elements of blues, gospel, and R&B. Born in Albany, Georgia in 1963, Malone first began playing guitar around age four on a toy instrument, quickly graduating to the real thing. Largely self-taught, he initially drew inspiration listening to the recordings of gospel and blues artists including the Dixie Hummingbirds and B.B. King. However, after seeing George Benson perform with Benny Goodman on a television show, Malone was hooked on jazz and began intently studying albums by legendary guitarists like Charlie Christian and Wes Montgomery. By his twenties, Malone was an accomplished performer, and in 1988 joined organist Jimmy Smith's band. Soon after, he also became a member of Harry Connick, Jr.'s big band, appearing on Connick's 1991 effort, Blue Light, Red Light. With his growing reputation as a sideman, Malone next caught the attention of pianist/vocalist Diana Krall, with whom he would work throughout much of the '90s and 2000s. Also during this period, Malone appeared with a bevy of name artists including Branford Marsalis, Benny Green, Terell Stafford, Ray Brown, and others.
As a solo artist, Malone made his debut with 1992's Russell Malone, followed a year later by Black Butterfly. In 1999, he released Sweet Georgia Peach, which featured a guest appearance from pianist Kenny Barron. Malone kicked off the 2000s with several albums on Verve, including 2000's Look Who's Here and 2001's orchestral jazz-themed Heartstrings. He then moved to Maxjazz for 2004's Playground, featuring a guest appearance from saxophonist Gary Bartz, followed by 2010's Triple Play. Over the next several years, Malone appeared on albums by Wynton Marsalis, Christian McBride, and Ron Carter, as well as Krall bandmate bassist Ben Wolfe. In 2015, he returned to solo work with the eclectic small-group album Love Looks Good on You, followed in 2016 by All About Melody, both on HighNote.
Pierce has enjoyed a long and distinguished career as a music educator and performer. He has been a Berklee faculty member for over two decades and has performed with some of the indisputable masters of jazz—Freddie Hubbard, Tony Williams, Art Farmer, Hank Jones, James Williams, and Art Blakey, to name a few. Pierce's sinewy tenor and soprano saxophone lines can be heard on 70 albums on which he was a sideman and on 11 of his own recordings.
He was raised in Florida by parents who were both educators. The household valued music and Pierce and his siblings each learned an instrument. He took up the saxophone as a child and started out listening to records by Dave Brubeck. Later he was drawn to the music of John Coltrane and Cannonball Adderley. Since he was only 16 when he graduated from high school, his parents steered him toward a college in the South so he wouldn't be too far from home. After he turned 18, he transferred to Berklee and has made Boston his home base ever since.
Nadia Washington is a singer songwriter hailing from Dallas, Texas who has performed with esteemed artist such as Esperanza Spalding, Lalah Hathaway and George Duke. Since the release of her EP singles, Nadia has toured Europe and Russia/Siberia. At the age of 26, Nadia had the pleasure of working as a background singer, songwriter for Dianne Reeves’ Beautiful Life Album this year, which received a Grammy for Best Jazz Vocals in 2014.
While she is creating her debut album as a solo artist, she awaits the release of the Blue Note compilation CD, Supreme Sonacy on which she is writer and performer along side Ray Angry of the Roots and Kendra Foster of Parliament-Funkadelic and D’Angelo’s Black Messiah. Nadia’s sound is a blend of Jazz, Soul, R&B, and World Music.
REBECCA CLINE TRIO
Rebecca Cline has performed or recorded in the US and Caribbean with such artists as Giovanni Hidalgo, Pedrito Martinez, Paulo Braga, Romero Lubambo, Jerry Gonzalez, Horacio “El Negro” Hernandez, Charles Neville, and Alex Acuña. In 2007, she received a CMA grant to compose a suite for her quartet entitled Clay, Iron, Water, based on Yoruban-derived Afro-Cuban ceremonial music.
In 2005 she performed at the Kennedy Center as a finalist in the Mary Lou Williams Women in Jazz Piano Competition. Her piano playing and compositions can be heard on Enclave (Zoho Music), Somos Obbini Tumbao (Tumbadora), It Never Entered My Mind (Jon Hazilla) and Havaianas: Vida do Paraiso (Rambling).
Rebecca co-leads two bands in the Boston area: the Latin Jazz quartet, Enclave, with saxman and percussionist Hilary Noble, and the dance band, Obbini Tumbao—Latin Groove, with percussionist Anita Quinto. Rebecca is an Assistant Professor at Berklee College of Music, where she teaches Ensembles and Piano.